SuperBloom
I’m a huge fan of temporary art, whether created by man or natural phenomena, like wild flowers. The Carrizo Plain national monument is the largest remaining natural grassland in California, and on years when we’ve had truly went winters, we’re rewarded with incredible wildflower blooms for several weeks or even a month depending on conditions. No two years are the same, and what’s stunning one year, might be barren the next — and even if the next year is wet it won’t be the same. This image was the cover of my 2020 book entitled Superbloom. Below is an excerpt from the introduction.
“A while back I reconnected with an old friend in Buffalo, New York,
one who’d always marveled at my peregrinations, and she would ask
what I was running from. At this first hang out in probably a decade or
more, she marveled again and asked the same old question. I had an
answer this time: I told her I was afraid to stop, that I would atrophy
if I did. It was at least partially true. That afternoon I took a nap and
had a dream that I was driving in Patagonia. It was so beautiful. There
were volcanic lakes and ponds, large and small, extraordinary wildlife
I’d never seen before and which my imagination had put together
in the dream, the birds, sky, and light. It was wonderous and I was
looking for a place to pull over so I could photograph this dream
vision of Patagonia. Then the road started to climb and quickly got
incredibly steep. I got scared and slowed down, thinking I should turn
around, but as I looked in my rear-view mirror, I realized that if I even
slowed down, I would fall off the mountain. I was terrified. But I had
no choice but to keep going, I could barely see the top in the distance
and had no idea if it led to something even more deadly, like a road
going down at the same pitch.
And that was how the dream ended, with me crawling up a hill in
4-wheel drive low, hoping my car wouldn’t just fall off the mountain.
What’s the connection? Well, one day early in March 2019 when I was
driving north on Soda Lake Road at the Carrizo Plain, I noticed one
of the occasional dirt roads that goes to the east toward the Temblor
mountain range. Before the Temblors there were some foothills that
the road appeared to go over, steeply I might add. But not as steep
as the road down on the other side, I later learned. Like a moth to
a flame, I dropped the truck into 4-wheel drive and crawled up the
hill. When I got to the top I was rewarded with a stunning view in
every direction. There was a water tower that had some gorgeous
artwork etched into it. I love that someone took the time to make art
in a place few would ever see. And then came the road down toward
Elkhorn road and the Temblors. That road was narrow and steep.
Not nearly as steep as my scary dream, but just the same, I am
terrified of heights and I wasn’t about to stop and hope that the
emergency brake would hold my truck in place while I took some
photos. In an odd way, I think that dream motivated me to explore
the kind of roads there (and elsewhere) that’d I’d previously been
afraid to explore.
As I would soon learn, that was one of the more benign roads I drove
at the Carrizo Plain in 2019. That day I discovered for myself a part
of the park I’d never seen. I suppose I could have asked someone
how to get over to the Temblors, but I never did. I’d come home
from some of my Carrizo Plain trips, look at Google maps and think
about it, but yet always drove familiar and safe routes up and down
Soda Lake Road, exploring only the Caliente mountains to the west.
During blooms I now find myself more interested in the nooks and
crannies of the Temblor range, though to see much of it, you need
a capable high clearance 4x4 to get in and out, and it’s very much
worth hiking the canyons.”
For print inquiries, please contact Gallery XII at la@galeriexii.com or by phone at + 1 (424) 252 9004.